The Power of the Problem in Screenwriting

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Before we keep going though, spoiler alert, I need you to know that may just ruin movies for you. On the other hand, if you keep reading, I also may just show you how to make your marketing story even more irresistible.

For a moment, let’s take off our marketing hats and put on our screenwriting hats.

In the world of screenwriting, master storytellers know that to create a gripping narrative, you need to write a powerful problem for a hero to overcome. If there is no problem in the story, there is no story.

Can you imagine Liam Neeson getting the phone call that his daughter is kidnapped (again), but this time, just as he’s about to go off on the terrorist on the other end, his daughter hops on the call and tells him it's all just a prank. Her friends took her to New York to check out colleges and she’d like him to join her.

Then the rest of the movie is about them just walking czech republic whatsapp number database around New York enjoying a fall day. That is not an interesting movie. You would walk out.

There has to be a problem for the hero to overcome. A bomb has to be about to go off. A meteor has to be hurling towards earth. A Death Star has to be about to destroy another planet.

The bigger the problem the hero has to overcome, the more the audience pays attention and waits to see if the hero can eventually overcome the problem.

However, there is more to writing an interesting story than just establishing a big problem.


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